
Belles Lettres
Oscar Wilde’s Last Stand
Triumphs, trials, tales — from the heights of London society to the depths of Reading Gaol and the luminous prose of De Profundis.
Volume 1 · Issue 1 · January 2026
A literary and art magazine at the crossroads of Western letters and Yoruba artistic tradition

Yoruba Art
Tracing the Solomon knot and interlace pattern from Ife bronzes through Benin plaques to contemporary Nigeria — an artistic history of the Yoruba People.
In this issue

Belles Lettres
Triumphs, trials, tales — from the heights of London society to the depths of Reading Gaol and the luminous prose of De Profundis.

Essays
A history of socialism — men are not born Marxists. From the Communist Manifesto to the October Revolution.

Literary Excerpts
The Christmas Dinner passage from A Portrait of the Artist as a Young Man — an “unfortunate priest-ridden race.”

Yoruba Art
What Frobenius saw — the extraordinary naturalistic sculptures that challenged European assumptions about African art.

Belles Lettres
The finest prose writer of his age — Hazlitt’s radical journalism, literary criticism, and the art of the familiar essay.

Belles Lettres
Simone de Beauvoir and the paradox of the Divine Marquis — depravity, conscience, and the ironies of a revolutionary moderate.
“A man lives not only his personal life, as an individual, but also, consciously or unconsciously, the life of his epoch and his contemporaries” Thomas Mann

Triumphs, trials, tales — from the heights of London society to the depths of Reading Gaol and the luminous prose of De Profundis.

The finest prose writer of his age — Hazlitt’s radical journalism, literary criticism, and the art of the familiar essay.

The revolutionary writer who survived Stalinism and exile — his courage, his prose, his legacy.

Simone de Beauvoir and the paradox of the Divine Marquis — depravity, conscience, and the ironies of a revolutionary moderate.

A history of socialism — men are not born Marxists. From the Communist Manifesto to the October Revolution.

The greatest of all the arts — Michelangelo, Bernini, Verrocchio, and Donatello on the liberation of form from stone.

Mesopotamia, Egypt, Greece, and the Roman-Hellenistic world — a journey through the sculpture collections of antiquity.

Tracing the Solomon knot and interlace pattern from Ife bronzes through Benin plaques to contemporary Nigeria — an artistic history of the Yoruba People.

What Frobenius saw — the extraordinary naturalistic sculptures that challenged European assumptions about African art.

Owo Art — lidded cups, masks, carvings. The virtuosity of Owo’s ivory carvers and the courtly regalia of the Olowo.

Origins and evidence — Ijebu Aso Olona, Aso Ofi, Adire, beaded crowns and robes of Yorubaland.
“Oriental sycamore — very hardy; will adapt itself to city conditions; grows fairly fast and is highly resistant to insects and disease.” A charming guide to urban arboriculture, from Studies of Trees.

The Victorian painter between Paris and London — society portraits, Japanese influences, and a life shaped by love and loss.

The Christmas Dinner passage from A Portrait of the Artist as a Young Man — an “unfortunate priest-ridden race.”

The sharpest observations from the master of English prose — on art, literature, and the responsibilities of the writer.

The best Hazlitt excerpts on the Bard — literary criticism at its finest, from Hamlet to Lear.

The most luminous prose from the revolutionary writer — passages of courage, exile, and the human spirit.

When jazz met graphic design — from Monk’s Underground to Bitches Brew, the album covers that became art in their own right.

A love letter to Charles Mingus — bassist, pianist, composer, bandleader, and one of the great geniuses of American music.

The moments that separate the great from the merely good — a listening guide to transcendent passages in jazz, soul, and beyond.

On film, design, and the bohemian impulse — from Bertolucci’s Dreamers to Buñuel’s bourgeoisie.